Goldsmith was greatly influenced by movements of early 20th-century classical music, notably modernism, Americana, impressionism, dodecaphonism, and early film scores. He has cited Igor Stravinsky, Aaron Copland, Miklós Rózsa, Bernard Herrmann, Béla Bartók, and Alban Berg, among others, as some of the main influences to his style of composition.
His style has been noted for its unique instrumentation, utilizing a vast array of ethnic instruments, recorded sounds, synthetic textures, and the traditional orchestra, often concurrently. When asked about his inclination for embracing new techniques and constantly shifting his musical palette throughout his career, Goldsmith said, “It seems like it’s me, and that’s that! Certain composers are doing the same thing over and over again, which I feel is sort of uninteresting. I don’t find that you grow very much in that way. I like to keep changing, trying to do new things. Basically, I’m saying the same thing with a little different twist on it. Once you get caught up in the creative process, something inside takes over, and your subconscious just does it for you.”
Verlag: | Colpix Music (1995) |
Besetzung: | Sr-3333-8442-12 (Pic EH Bk Kf) Hf Pf Str(1-1-1-1-1) |